Tomorrow’s Here Today

It's here! Tomorrow's finally here. Today. This is a retrospective compilation spanning the 35 year career of the band from debut single Pure right up to the last single Emily Smiles. And this time, rather than leave it 12 months before reviewing an album, I'm reviewing it 2 days after it has been released. I've... Continue Reading →

See You In The Stars

A review of See You In The Stars from my other blog Extra Soft Blog Roll I love writing about cars and music, and when I write something about music, or an album I like, I tend to write about it quite a while after the initial release. That gives me time to get to... Continue Reading →

Sense Review – Q Magazine 1992

Best known for the Pure hit of 1989, Lightning Seeds is effectively bespectacled Liverpudlian producer Ian Broudie, once of Care, makers of the luscious Flaming Sword. Sense follows the moderately familiar format of Broudie's plaintive voice set against effortlessly memorable tunes. It's a simple formula and it works well, conjuring up visions of a more... Continue Reading →

Cloudcuckooland Review, Feb 1990

Paul Davies, Q, Feb 1990. From the book "Encyclopedia of Albums". Liverpudlian Ian Broudie had been at the centre of Merseyside music for a decade, firstly as guitarist and songwriter with Big In Japan and later of Echo and the Bunneymen before this, his first "solo" album albeit under a group name. It emerged on... Continue Reading →

Jollification – Q Review 1994

The third instalment of Ian Broudie's five-year plan to reshape pop music is every bit as strong as both predecessors Cloudcuckooland and Sense. His softly spoken pop vignettes have stealthily lockpicked the oak-panelled doors of mainstream acceptance and it can only be a matter of time before Broudie is swapping dressing rooms with Marti Pellow.... Continue Reading →

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